News & Extras
The Flower Can Always Be Changing by Shawna Lemay
Shawna Lemay’s The flower can always be changing opens with an essay on the life and death and life of flowers filmed in time lapse photography. She writes, “The colours. The fading. The beauty of decline, the simplicity. All of the attendant moods arrive and pass in...
Bird-Bent Grass: A Memoir in Pieces by Kathleen Venema
Bird-Bent Grass isn’t what I expected it would be. I thought: a memoir about a mother’s Alzheimer’s and a daughter’s three-year sojourn in Uganda in the mid-to-late-eighties—by a Canadian woman writer who is just my age and in the exact same professional role—now...
Gothic Tales of Haunted Love Eds. Hope Nicholson & S.M. Beiko
There is a tendency when thinking about the history of comic books to privilege the superhero, to reduce comics as a medium to the mystery men and women who fight crime in all their caped glory. There are both historic and cultural reasons that this happen—the birth...
Infinity by Hannah Moscovitch
The uses and abuses of science in playwriting: a review of Hannah Moscovitch’s play Infinity Hannah Moscovitch is an indie darling of Canadian theatre, and her Dora-winning play Infinity reaffirms her reputation as one of Canada’s brightest, most ambitious...
Panicle by Gillian Sze
“Calligraphy”, the opening poem in Panicle, Gillian Sze’s most recent book of poetry, is a masterful distillation of the emotional work of poetry. In this poem, the art of calligraphy is deconstructed alongside the act of writing: the grinding down of the inkstick,...
You Don’t Know Me, But You Love Me: The Lives of Dick Miller by Caelum Vatnsdal
When you watch a lot of movies, you likely start to recognize certain faces. Not the stars, who are familiar figures in the world outside of the screen—but the people in the background and around the edges of the story. Supporting players with maybe a line or two....